It generates a feeling of unease and burgeoning dread upon which the film is masterfully built. She’s fleeing from her controlling boyfriend ( The Haunting of Hill House‘s Oliver Jackson-Cohen), who we’re introduced to with his arm gently cradling her, like a hair-trigger bear trap, primed to go off should he sense her moving. Removing the yellowing bandages from the festering wounds of Hollow Man, or even the abandoned Dark Universe line-up that could have featured ol translucent Man himself, he has dragged a potentially hokey concept into the #metoo generation, and made a thriller that’ll stir the grey matter as much as it prompts primal gasp-out-loud moments of horror.Įscaping from her own domestic Alcatraz during a nerve-shredding opening sequence, our journey is to be taken with Elizabeth Moss’s Cecelia, and it’s one that’ll put both her and the audience through a physical and emotional endurance test for the duration of this traumatic psychological horror. Making a story over a century old into one of the most impressive and relevant films of this or any other year is a remarkable achievement for Saw director Leigh Whannell.
INVISIBLE MAN MOVIE SERIES
As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.
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When Cecilia’s abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. Starring Elisabeth Moss, Storm Reid, Aldis Hodge, Michael Dorman, Harriet Dyer, Benedict Hardie, and Oliver Jackson-Cohen.